No. 121 (2018)

Art studies

• The phenomenon of the diaspora in the aspect of cultural memory (with the example of Virko Baley’s creation)

  Oksana Garmel

  7-18

  • PDF (Українська)

• Ukraine and Europe in research papers of Myroslaw Antonowych

  Ulyana Hrab

  19-30

  • PDF (Українська)

• The image of Artem Vedel in cultural and arts introspection of Ukrainian diaspora

  Ganna Karas

  31-45

  • PDF (Українська)

• Musical education in halychyna during the lysenko’s period

  Nataliia Kobryn

  46-58

• Psalm’s lyricism in choral works by Mykola Lysenko

  Oleksij Makarenko

  59-71

  • PDF (Українська)

• Mykola Leontovych: problems of the academic edition of the creative legacy

  Valentyna Kulyk

  72-84

  • PDF (Українська)

• Samolivkovyy singing: regional phenomenon or common church practice?

  Natalia Kostyuk

  85-100

  • PDF (Українська)

• Singing at the Lviv Epiphany Church (from the origins to the end of the 18th century)

  Ivan Kuzminskyi, Myron Kapral’

  101-108

  • PDF (Українська)

• Expression Means in Georgian Traditional Music as Signs of Relation with the "Other World"

  Tamaz Gabisonia

  109-117

  • PDF (Русский)

• Tour routes of the Poltava symphony orchestra under D. V. Akhsharumov: from press reviews

  Inna Dovzhynets

  118-134

  • PDF (Українська)

• Andrey Shtogarenko’s third symphony (“Kyivan”): analysis experience in the light of musical epic

  Oksana Sergіeva

  135-143

  • PDF (Українська)

• “Ethno-chaos” of “Dakha Brakha” band as an example of the principle of “pile” in music

  Iia Fedorova

  144-154

  • PDF (Українська)