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No. 139 (2024)
No. 139 (2024)
DOI:
https://doi.org/10.31318/2522-4190.2024.139
Published:
2024-02-29
Full Issue
PDF (Українська)
Problems
Transformation of the content in music compositions as a factor of actualization of precedent phenomena («Anthem /The Eternal Revolutionary/» by Ivan Franko — Mykola Lysenko)
Bogdan Siuta
8-21
PDF (Українська)
Claude Debussy and Hazrat Inayat Khan: sound like the universe
Valeriya Zharkova
22-38
PDF (Українська)
Principles of musical memorialization the tragedy of the Holodomor in the Virkа Baley`s opera «Red Earth. Famine»
Ольга Валентинівна Василенко
39-53
PDF (Українська)
Category «grass-roots» and Ukrainian music of the 19th century
Taras Dubrovnyi
54-64
PDF (Українська)
Processes
Musical theater in internet: aspects of form creation and communication
Maiia Rzhevska
65-74
PDF (Українська)
Ukrainian music with a jewish accent: «Six jewish melodies» by Yuri Ishchenko and «Carpe diem» by Oleg Bezborodko
Olga Solomonova
75-91
PDF (Українська)
Italian Culture and Art Representations in Odesa under the Policy of Romanization Conditions (1941–1944)
Kostyantyn Batsak
92-111
PDF (Українська)
Baiаo as a component of soundscapes of Brazil: guitar reconstructions of the genre
Tetiana Filatova
112-133
PDF (Українська)
150 years of Colonne Concerts
Sylvie Douche
134-142
PDF
Personal dimension of music history
Callas phenomenon
Iryna Drach
143-157
PDF (Українська)
«Admus and Hermione» by Jean-Baptiste Lully as the first sample of the lyrical tragedy genre
Vira Artemieva
158-169
PDF (Українська)
«Variations on “I got rhythm”» by George Gershwin: concert transformation of the song theme
Olena Antonova
170-182
PDF (Українська)
The Symphonic Poem of Levko Kolodub «Velykyi Kameniar» («The Big Stonemason»): Contexts of Musical Embodiment
Iryna Sikorska
183-193
PDF (Українська)
Research of young scientists
The reception of debussism in the history of European musical modernism (on the example of the sheет music collection «Tombeau de Claude Debussy»)
Сергій Андрійович Деоба
194-210
PDF (Українська)
Pianism of Volodymyr Horovits: the relationship of concertness and chamberity of the performing style
Olena Ovcharenko-Pieshkova
211-221
PDF (Українська)
Instrumental cycle for bandura solo «The first notebook of travels» by Lyudmyla Fedorova-Kohanska: performance trend
Vita-Viktoria Zadorozhna
222-232
PDF (Українська)
BOOK REVIEW
The innovation of the authors surprises, fascinates and motivates. (Review of the publication: «Ukrainian book about Richard Wagner». Nizhin: PР "Lysenko M.M.", 2022)
Іrina Kороt
233-234
PDF (Українська)
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