No. 141 (2024)

Musical intonation: from historical origins to the present day

• The specifics of national identitification in Ukrainian academic music: from Mykola Lysenko to the modern time

  Olga Solomonova

  8-25

  • PDF (Українська)

• National «voices» of academic musical performance in a globalized world

  Olha Katrych

  26-35

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• The symbolic potential of sound ornaments in “Hutsul triptych” of Myroslav Skoryk

  Boryslav Stronko

  36-49

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• National intonation in the films of Sergei Parajanov

  Olga Vardanyan

  50-59

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• Composer’s interpretation of Guo Wenjing of Chinese traditional opera «Si Fan»

  Daria Hnatiuk

  60-70

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• Concerto for domra and orchestra No. 3 by Valery Ivko: vectors of intonational development and genre features

  Alina Prokopenko

  71-85

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• Embodiment as a manifestation of national intonation in modern Ukrainian popular vocal art

  Mariia Stokolias

  86-95

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• Guitar music by Heitor Villa-Lobos: genre traditions of Brazilian choro

  Tetiana Filatova

  96-116

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• Embodiment of Ukrainian folk elements in Valerii Ivko’s «Shchedrivka»

  Anastasiia Diakova

  117-132

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• «Les Sauvages» by J.-P. Rameau: a marketing ploy or an exercise in musical characterization?

  Yurii Sukhlenko

  133-146

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• The history of the formation of folk choirs, vocal and choreographic ensembles in the 1940s and 1950s: Ukrainian and Polish context

  Yuliya Zlochevska

  147-160

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