No. 128 (2020)

View No. 128 (2020)

DOI: https://doi.org/10.31318/2522-4190.2020.128

Published: 2020-09-25

Genre and stylistic processes in the musical culture of the past and the present

Sound as a Style Somponent of Art Rock: Formation Ways and Factors

Mayya Rzhevska, Volodymyr Romanko

8-22
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Romanticism and Neo-Romanticism: Dialogue in the Era of Postmodernіzm

Lyubava Sydorenko

23-34
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The Orchestra of Schumann and its Modifications in the Cello Concerto op. 129

Vadym Rakochi

35-51
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Organ Poem in the Music of European Composers: Modern Projections of the Genre

Daryna Kupina

52-65
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Glissando on the Piano Keyboard: «Extended» Interpretation of the Traditional Method of Sound Extraction (historical aspect)

Anastasiia Sharina

66-79
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Problem field of modern musicology: from phenomenology to comparative studies

Chilean Guitarron as an Instrument of Folk and Religious Usage

Tymur Ivannikov, Tetyana Filatova

80-93
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Allonymy as the Paradox Phenomenon of Authorship in the Musical-historical Process

Kateryna Babenko

94-106
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The Sounding of Fancy Gestures: Visual in Music for the Performance “Camille” by Alexei Retinsky

Svitlana Gomeniuk

107-116
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“Iolanta” by Peter Tchaikovsky and “Dolls” by Joseph Roth Directed by Lydia Steier

Adelina Yefimenko

117-128
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“Distant Bells” by Phank Kok Jun: Chamber-Instrumental Version of the Dialogue between Chinese and European Traditions

Liu Xiaoxi

129-141
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Personal dimension of music history

Rethinking Igor Stravinsky Historically and Theoretically — II

Valery Glivinsky

142-160
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Secrets of the Alla Moda Theater’ Success: the Historical and political subtext of the first musical drama by J. A. Hasse

Nataliia Sikorska

161-174
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The Murder of Dmitry Revutsky: to Investigate, or to Ignore?

Iryna Sheremeta

175-188
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Mykola Filimonov: sketch of the artist’s “portrait”

Ilona Tamilina

189-207
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