No 128 (2020)


Table of Contents

Genre and stylistic processes in the musical culture of the past and the present

Sound as a Style Somponent of Art Rock: Formation Ways and Factors PDF (Українська)
Mayya Rzhevska, Volodymyr Romanko 8-22
Romanticism and Neo-Romanticism: Dialogue in the Era of Postmodernіzm PDF (Українська)
Lyubava Sydorenko 23-34
The Orchestra of Schumann and its Modifications in the Cello Concerto op. 129 PDF (Українська)
Vadym Rakochi 35-51
Organ Poem in the Music of European Composers: Modern Projections of the Genre PDF (Українська)
Daryna Kupina 52-65
Glissando on the Piano Keyboard: «Extended» Interpretation of the Traditional Method of Sound Extraction (historical aspect) PDF (Українська)
Anastasiia Sharina 66-79

Problem field of modern musicology: from phenomenology to comparative studies

Chilean Guitarron as an Instrument of Folk and Religious Usage PDF (Українська)
Tymur Ivannikov, Tetyana Filatova 80-93
Allonymy as the Paradox Phenomenon of Authorship in the Musical-historical Process PDF (Українська)
Kateryna Babenko 94-106
The Sounding of Fancy Gestures: Visual in Music for the Performance “Camille” by Alexei Retinsky PDF (Українська)
Svitlana Gomeniuk 107-116
“Iolanta” by Peter Tchaikovsky and “Dolls” by Joseph Roth Directed by Lydia Steier PDF (Українська)
Adelina Yefimenko 117-128
“Distant Bells” by Phank Kok Jun: Chamber-Instrumental Version of the Dialogue between Chinese and European Traditions PDF (Українська)
Liu Xiaoxi 129-141

Personal dimension of music history

Rethinking Igor Stravinsky Historically and Theoretically — II PDF
Valery Glivinsky 142-160
Secrets of the Alla Moda Theater’ Success: the Historical and political subtext of the first musical drama by J. A. Hasse PDF (Українська)
Nataliia Sikorska 161-174
The Murder of Dmitry Revutsky: to Investigate, or to Ignore? PDF (Українська)
Iryna Sheremeta 175-188
Mykola Filimonov: sketch of the artist’s “portrait” PDF (Українська)
Ilona Tamilina 189-207