No. 145 (2026)

DOI: https://doi.org/10.31318/2522-4190.2026.145

Published: 2026-04-02

Full Issue

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Theoretical concepts and analytical models of modern musicology

Typology and functions of quotations in music

Bogdan Siuta

8-25
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Dedication as a semantic code of musical work

Valentyna Redya

26-38
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Somatic intelligence in the structure of the pianist’s emotional expressivity in ensemble performance

Mariia Obolenska

39-50
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Musical theater: meanings and stage strategies of interpretations

Semantics «Zoroastre» as an allegory of spiritual choice: philosophical meanings of the Jeanne-Philippe Rameau’s tragédie lyrique

Vira Artemieva

51-61
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Il Trionfo Dell’onore by Alessandro Scarlatti —Sui Generis on the stage of the Teatro Malibran in Venice

Adelina Yefimenko

62-71
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Logic of the fuhctioning of timbre-semantic dubies in W. A. Mozart`s Commedia per Musica «Le nozze di Figaro»

Olena Roschenko

72-84
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Postopera: The Stage Space of Composer and Director Creative Collaboration

Maiia Rzhevska

85-96
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Strategies for actualizing the cultural canon in Kyiv Modern Ballet’s La Traviata

Iuliia Bentia

97-108
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Vocal and stage image of Count di Almaviva in the opera «The marriage of Figaro» by W. A. Mozart: the dichotomy of traditional and modern

Artem Kurinyі

109-120
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Music-historical contexts: from tradition to modernity

Flemish and Franco-Flemish traditions of harpsichord making: history and modernity

Olha Shadrina-Lychak

121-134
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Vectors of musical Americanism in the Concertо for clarinet and string orchestra by Aaron Copland

Olena Antonova

135-152
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Argentine folklore traditions and modern lexican in Alberto Ginastera’s Guitar Sonata

Tetiana Filatova

153-171
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Personalities in the space of cultural memory

«The swan of Tuonela» in Kyiv (to the 160th anniversary of the birth of Jean Sibelius)

Olena Zinkevych

172-182
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Behind the scenes of the official biography: to the 125TH anniversary of the birth of musicologist Grygory Kyselyov

Oleksandra Stepanska

183-200
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