No. 129 (2020)

DOI: https://doi.org/10.31318/2522-4190.2020.129

Published: 2020-12-21

CONTEMPORARY MUSICOLOGY: ISSUES OF METHODOLOGY

Musicological Methodology. Problem Statement and Basic Concepts

Sergey Shyp

9-25
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The Interdisciplinary methodological Trends in the Ukrainian Musical Regionalism

Tetyana Martyniuk

26-40
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Scientific Methods Applied to Analyze the Sound Pitch

Irina Chigick

41-63
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Methodology Used for the Attribution of Greek Chants from Ukrainian and Belarusian Heirmologia in the Late 16th–18th Centuries

Yevgeniya Ignatenko

64-80
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MUSICAL CULTURE: HISTORICAL PERSPECTIVE OF RESEARCH

Musical Sphere of Contemporary Culture: Measurements and Configurations

Yurii Chekan

84-91
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The Phenomenon of Musical Modernism in the European Culture of the 20th Century: Prerequisites, Patterns, Stages

Olena Korchova

92-108
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Luigi Buonavolya’s Opera Company Paradox in Odesa: Stage Success Against the Background of Theatrical Management Problems

Kostyantyn Batsak

109-129
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MUSIC-THEORETICAL CONCEPTS: HISTORY AND MODERNITY

Concept of the “Open Form” by Nadezhda Goryukhina in the Paradigm of Modern Musicology

Lyudmila Zapevalova

130-139
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The dual Nature of the Functioning of the Timbre in Orchestral Works: an Interpretive Aspect

Oleksandr Zharkov

140-152
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The notion of Derivation in Theoretical Concepts Concerning the Formation of Musical Text

Oleksandr Korchev

153-163
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Charles-Simon Catel’s “Traité D’harmonie” as an Origin of Conservatory Harmony Teaching Traditions

Oleksiy Vоуtenko

164-179
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MUSICAL WORK: ANALYTICAL VIEW

Polyphonic Setting of Endings in Fugues from “The Well-Tempered Clavier” by Johann Sebastian Bach

Igor Prykhodko

180-200
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«Farewell, my Dichterliebe…»: Schumann, Kurtág, and the Intertext, in Achingly-Tender Tones

Dina Lentsner

201-212
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Structural and Semantic Features of the Thematicism in György Ligeti’s Instrumental Concerti Between 1980 and 2000

Anastasiya Minich

213-231
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Chilean Guitar Music: Violeta Parra’s “Anticuecas”

Tetiana Filatova

232-250
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Formation of Lang Lang's Musical-Perfomance Style

Che Chao

251-261
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