| Issue | Title | |
| No 127 (2020) | Symphony Style of Alexander Jacobchuk: Dynamics of Formation | Abstract |
| Olga Kushniruk | ||
| No 124 (2019) | Spatio-temporal multidimensionality of the Ukrainian organ symphonies: from sound to genre | Abstract |
| Daryna Kupina | ||
| No 121 (2018) | Andrey Shtogarenko’s third symphony (“Kyivan”): analysis experience in the light of musical epic | Abstract |
| Oksana Sergіeva | ||
| No 121 (2018) | The phenomenon of the diaspora in the aspect of cultural memory (with the example of Virko Baley’s creation) | Abstract |
| Oksana Garmel | ||
| No 123 (2018) | Symphony for mixed chorus “Holy Week” by Sviatoslav Lunev: author’s interpretation of spiritual and musical traditions | Abstract |
| Yuliia Volovchuk | ||
| No 122 (2018) | Hennady Liashenko: the perspectives of life and creative work | Abstract |
| Mayya Rzhevska | ||
| No 126 (2019) | Alexander Shchetinsky's Symphony for Mixed Choir a'cappella “Know Yourself”: From Neo-Baroque to Metastyle | Abstract |
| Yuliia Volovchuk | ||
| 1 - 7 of 7 Items | ||
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