No. 140 (2024)

DOI: https://doi.org/10.31318/2522-4190.2024.140

Published: 2024-11-28

Full Issue

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Liturgical Genres in Musical Practice: Source and Analytical Projections

Loretan Litany in the Eastern Christian church practices of the 17th–18th centuries: theological, textological and musicological aspects

Olga Zosim

9-28
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Unknown “Cherubic song” by Maxym Berezovsky from the collection of TSDAMLM: text and contexts

Svitlana Gomeniuk

29-47
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Josquin Desprez’s Mass in the music of Georg Friedrich Haas: dynamic of the past as the present-day model

Oleksandr Chornyi

48-66
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World Music in Contemporary Musicological Discourse

Colonial Narrative in Giacomo Puccini’s “Madama Butterfly” in the Productions in Bregenz, Venice and Frankfurt 2022/2023

Adelina Yefimenko

67-86
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«Twelve Etudes» for guitar by Heitor Villa-Lobos: genre and style dimensions

Tetiana Filatova

87-115
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Fazil Say’s «Shahmeran»: the metamodern paradigm of an Eastern myth in the music of a Turkish composer

Daryna Kupina

116-126
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European opera classics in the mirror of Spanish zarsuela

Dariia Nazymchuk

127-140
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Music Theory and Practice: Problematic Aspects and Recent Phenomena

Fugato as a form and means of polyphonic development

Tetiana Duhina

141-153
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Structural method of fugue analysis: newest approaches and possibilities

Svitlana Postovoitova, Iryna Kokhanyk

154-170
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The conceptional system of orchestration in the works of European and American authors of the 19th and 20th centuries

Volodymyr Bohatyrov

171-187
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Audiovisual project «Zvukoizolyatsia»: specifics of conceptual and spatial implementation of the compositional and technical principles

Anna Prykhodko

188-202
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