No. 134 (2022)

DOI: https://doi.org/10.31318/2522-4190.2022.134

Published: 2022-11-17

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THEORETICAL MUSICOLOGY: PROBLEM AREAS AND NEW PROPOSALS

Music Theory System: Phenomenon or Phantom?

Iryna Tukova

8-17
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Innuendo in Music as an Active Perception Factor

Boryslav Stronko

18-28
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Composer’s Work with Verbal Component in Vocal Opus in Aspect of the Language Levels Theory

Inna Ivanova

29-40
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The Serenata of Baroque Period at the Court of the Austrian Habsburgs in the Context of Italian Cultural Expansion

Olga Tabulina

41-50
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MUSICAL PRACTICE OF THE PAST AND PRESENT: ANALYTICAL APPROACHES AND SOLUTIONS

Partes Concerts of the 1730s–1740s from the Kyiv Collection: New Assets

Yevgeniya Ignatenko

51-68
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Mykhailo Verikivskyiʼs “Five Pieces For String Quartet on Folk Themes”: Principles of Folklore Processing

Olena Derevianchenko

69-84
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Features of Vsevold Zaderatsky’s Polyphonic Thinking in the Cycle “24 Preludes and Fugues”

Svitlana Postovoitova

85-100
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Ambros Rieder (1771‒1855) and the Art of Preluding

Stephan Lewandowski

101-111
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Luciano Berioʼs “Folk Songs”: Reconstruction of the Idea in the Context of Creativity

Oksana Garmel

112-124
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“Grave: Metamorfozy Na Wiolonczelę I Fortepian” By Witold Lutoslavski: The Role Of Derivation In The Embodiment Of The Idea Of Metamorphosis

Oleksandr Korchev

125-138
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Guitar Music of Celso Garrido-Lecca: Modern Projections of Peruan Traditions

Tetiana Filatova

139-154
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