No. 131 (2021)

DOI: https://doi.org/10.31318/2522-4190.2021.131

Published: 2021-06-30

MUSICAL INTERPRETATION: THEORETICAL AND PERFORMING DISCOURSES

New Dimensions of Musicology of the 21st Century: the Experience in Modelling the Interpretative Theory of Musical Communication

Yuliya Nikolayevska

8-25
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Academic Performing Traditions of Chilean Guitar Art

Tetiana Filatova

26-37
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“Why Are They Afraid?” (Interpretation of the Later Piano Work by Valentyn Sylvestrov)

Oleg Bezborodko

38-50
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“Tollers Zelle” by Anna Korsun: at intersection of Musical Interpretations

Nataliya Hnativ

51-62
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Piano Trio by Amanda Maier in the Context of Genre Evolution

Yaroslava Serdiuk

63-79
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Sergei Rachmaninoff’ Variations on a Theme of Chopin: Genre and Style Interactions

Stanislav Guminiuk

80-93
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Sound Embodiment of Rene Eespere’s Piano Cycles: Experience of Performance Analysis

Stanislav Pylypenko

94-103
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CHORAL MUSIC AND THEATRICAL ART: ISSUES OF INTERPRETATION

Interpretation Strategies of Contemporary Musical and Theatrical Art: Trends, Factors

Olga Solomonova

104-120
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Musical Shevchenkiana of Yevhen Stankovych: Interpretation of the Poetical Word in the Oratory “Taras Passions”

Olha Vasylenko

121-136
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Richard Wagner’s Opera “Tannhäuser” in the Director’s Interpretation of Romeo Castellucci

Oleksii Honchar

137-153
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Maxim Shaligin’s Ballet “Hopper”: at the Crossroads of Interspecific Interpretation and Artistic Translation

Veronika Zinchenko

154-166
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Motet “Jesu, Meine Freude” by Johann Sebastian Bach: Comparative Analysis of Editions of Musical Text

Dmytro Savon

167-181
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Symphonic Volume in the Symphony-Requiem by Bohdana Frolyak “Pravednaya Dushe”

Yuliia Volovchuk

182-195
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