No. 127 (2020)

DOI: https://doi.org/10.31318/2522-4190.2020.127

Published: 2020-10-16

Ukrainian Music: Personal Dimension

Kyrylo Stetsenko: Individual Style as a Factor of Creative Universalism

Olha Komenda

7-26
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Symphony Style of Alexander Jacobchuk: Dynamics of Formation

Olga Kushniruk

27-38
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The Viola Music of Yevhen Stankovych as a Phenomenon of Composer`s Creation

Andrii Tuchapets

39-51
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The Problem of Genre in Musicological Research

Wedding Genre in the Works of Composers of the Kyiv Choral School Early XX Century

Olha Zasadna

52-66
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The Second Violin Consert Of Bela Bartok In The Context Of Genre Development

Nataliia Dzizinska

67-82
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Variation Cycles of Mark Andre Hamelin: Composer Interpretation of the Genre

Roksana Nikolenko

83-95
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Current Issues of World Music Culture

Belarusian Music in the Solfeggio University Course: Style Aspect

Lyudmyla Zapevalova, Ala Tikhomirova

96-109
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«Alphabet-Singer» from the Manuscript Collection of the XVIІth Century: Palogeographic Description and Comparative Analysis

Mykola Pidhorbunskyi

110-123
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Post-Modern Reception of the Idea of Two People in the Tan Dun’s Opera “Marco Polo”

Le Liu

124-136
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The Evolution of Shanghai's Choral Culture in Terms of Interaction with the Traditions of European Musical Art

Junjie Gui

137-147
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