Table of Contents
Ukrainian Music: Personal Dimension
Kyrylo Stetsenko: Individual Style as a Factor of Creative Universalism | PDF (Українська) |
Olha Komenda | 7-26 |
Symphony Style of Alexander Jacobchuk: Dynamics of Formation | PDF (Українська) |
Olga Kushniruk | 27-38 |
The Viola Music of Yevhen Stankovych as a Phenomenon of Composer`s Creation | PDF (Українська) |
Andrii Tuchapets | 39-51 |
The Problem of Genre in Musicological Research
Wedding Genre in the Works of Composers of the Kyiv Choral School Early XX Century | PDF (Українська) |
Olha Zasadna | 52-66 |
The Second Violin Consert Of Bela Bartok In The Context Of Genre Development | PDF (Українська) |
Nataliia Dzizinska | 67-82 |
Variation Cycles of Mark Andre Hamelin: Composer Interpretation of the Genre | PDF (Українська) |
Roksana Nikolenko | 83-95 |
Current Issues of World Music Culture
Belarusian Music in the Solfeggio University Course: Style Aspect | PDF (Українська) |
Lyudmyla Zapevalova, Ala Tikhomirova | 96-109 |
«Alphabet-Singer» from the Manuscript Collection of the XVIІth Century: Palogeographic Description and Comparative Analysis | PDF (Українська) |
Mykola Pidhorbunskyi | 110-123 |
Post-Modern Reception of the Idea of Two People in the Tan Dun’s Opera “Marco Polo” | PDF (Українська) |
Le Liu | 124-136 |
The Evolution of Shanghai's Choral Culture in Terms of Interaction with the Traditions of European Musical Art | PDF (Українська) |
Junjie Gui | 137-147 |