Table of Contents
Ukrainian Music: Personal Dimension
| Kyrylo Stetsenko: Individual Style as a Factor of Creative Universalism | PDF (Українська) |
| Olha Komenda | 7-26 |
| Symphony Style of Alexander Jacobchuk: Dynamics of Formation | PDF (Українська) |
| Olga Kushniruk | 27-38 |
| The Viola Music of Yevhen Stankovych as a Phenomenon of Composer`s Creation | PDF (Українська) |
| Andrii Tuchapets | 39-51 |
The Problem of Genre in Musicological Research
| Wedding Genre in the Works of Composers of the Kyiv Choral School Early XX Century | PDF (Українська) |
| Olha Zasadna | 52-66 |
| The Second Violin Consert Of Bela Bartok In The Context Of Genre Development | PDF (Українська) |
| Nataliia Dzizinska | 67-82 |
| Variation Cycles of Mark Andre Hamelin: Composer Interpretation of the Genre | PDF (Українська) |
| Roksana Nikolenko | 83-95 |
Current Issues of World Music Culture
| Belarusian Music in the Solfeggio University Course: Style Aspect | PDF (Українська) |
| Lyudmyla Zapevalova, Ala Tikhomirova | 96-109 |
| «Alphabet-Singer» from the Manuscript Collection of the XVIІth Century: Palogeographic Description and Comparative Analysis | PDF (Українська) |
| Mykola Pidhorbunskyi | 110-123 |
| Post-Modern Reception of the Idea of Two People in the Tan Dun’s Opera “Marco Polo” | PDF (Українська) |
| Le Liu | 124-136 |
| The Evolution of Shanghai's Choral Culture in Terms of Interaction with the Traditions of European Musical Art | PDF (Українська) |
| Junjie Gui | 137-147 |