No 127 (2020)

DOI: https://doi.org/10.31318/2522-4190.2020.127

Table of Contents

Ukrainian Music: Personal Dimension

Kyrylo Stetsenko: Individual Style as a Factor of Creative Universalism PDF (Українська)
Olha Komenda 7-26
Symphony Style of Alexander Jacobchuk: Dynamics of Formation PDF (Українська)
Olga Kushniruk 27-38
The Viola Music of Yevhen Stankovych as a Phenomenon of Composer`s Creation PDF (Українська)
Andrii Tuchapets 39-51

The Problem of Genre in Musicological Research

Wedding Genre in the Works of Composers of the Kyiv Choral School Early XX Century PDF (Українська)
Olha Zasadna 52-66
The Second Violin Consert Of Bela Bartok In The Context Of Genre Development PDF (Українська)
Nataliia Dzizinska 67-82
Variation Cycles of Mark Andre Hamelin: Composer Interpretation of the Genre PDF (Українська)
Roksana Nikolenko 83-95

Current Issues of World Music Culture

Belarusian Music in the Solfeggio University Course: Style Aspect PDF (Українська)
Lyudmyla Zapevalova, Ala Tikhomirova 96-109
«Alphabet-Singer» from the Manuscript Collection of the XVIІth Century: Palogeographic Description and Comparative Analysis PDF (Українська)
Mykola Pidhorbunskyi 110-123
Post-Modern Reception of the Idea of Two People in the Tan Dun’s Opera “Marco Polo” PDF (Українська)
Le Liu 124-136
The Evolution of Shanghai's Choral Culture in Terms of Interaction with the Traditions of European Musical Art PDF (Українська)
Junjie Gui 137-147