No. 136 (2023)

DOI: https://doi.org/10.31318/2522-4190.2023.136

Published: 2023-03-28

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Ukrainian musical culture: composer’s works, personality, institutions

Alla Zaghaikevych: message to Karol Shymanovsky

Olena Zinkevych

8-21
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Solomia Krushelnytska and Ukrainian artistic emancipation in Galicia

Lyubov Kiyanovska, Ivanna Komarevich

22-34
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Mykola Tutkovsky: polyphony of artistic roles

Valentyna Redya

35-48
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“Every Kind of Art Began to Flourish”: Ukrainian music in the modernist context

Leah Batstone

49-59
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The Role of patrons in the activities of the Galician musical society in Lviv in 1838–1914

Teresa Mazepa, Oksana Pysmenna

60-74
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Opera art: musical and non-musical contexts

Locations of the first opera performances: from elitism to general availability

Yurii Chekan

75-86
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Christoph Willibald Gluck's soft skills in the case «Opera reform in the XVIII century»

Ganna Rizaieva

87-101
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Valentino Sermattei’s Odesa enterprise of 1859–1865 in art and social discourse

Kostyantyn Batsak

102-120
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Opera House in the social communication system of modern Italy

Olena Ponomarenko

121-129
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Foreign music in the reflections of Ukrainian musicologists

The Phenomenon «the Life during the War» in the Maurice Ravel’s Piano suite «Tombeau de Couperin»

Valeriya Zharkova

130-148
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Debussism as a Modernist Phenomenon: statement of the problem, musical approaches

Serhii Deoba

149-164
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Edward MacDowell's First piano concerto: at the origins of American genre history

Olena Antonova

165-178
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Bolivian “Music of the Wind” in guitar works: aspects of artistic implementation

Tetiana Filatova

179-197
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Federico Garcia Lorca’s «Canciones Españolas Antiguas»: dialogue of the poet with Flamenco tradition

Viktoriia Melnyk

198-211
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REVIEWS

«Homo Interpretatus» (Nikolaievska Yu. Homo Interpretatus in music art of 20th and early 21st centuries : monograph. Kharkiv : Fact, 2020. 576 s.)

Yurii Chekan

212-214
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