No. 126 (2019)

Статті

• Methodological Principles Applied for Analyzing the Dynamics of Individual Musical Style

  Galina Poberezhna

  6-16

  • PDF (Українська)

• Issues Concerning The Transformation of Rhythm Archetype in Stanislav Liudkevych's Creative Work: Through the Early Style Evolvement

  Iryna Zinkiv

  17-28

  • PDF (Українська)

• Characteristic Features of Valentin Silvestrov’s Own Style in “Two Romances” on Oleksandr Blok's Poems

  Anna Kalinina

  29-39

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• Conductor's Component of Mikhail Pletnev's Style of Musical Creativity

  Valeriia Kovtoniuk

  40-48

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• Peculiarities of the Embodiment of Variational Principles in “Gnomic Variations” by George Crumb

  Maksym Shadko

  49-57

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• The Architectonics of the First Concerto for the Piano and Orchestra by Serhii Prokofiev

  Natalya Vodolyeyeva

  58-67

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• The Formation of Anna Korsun’s Individual Style in the Sound Space of Vocal Creativity

  Nataliya Hnativ

  68-79

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• Alexander Shchetinsky's Symphony for Mixed Choir a'cappella “Know Yourself”: From Neo-Baroque to Metastyle

  Yuliia Volovchuk

  80-92

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• The Role of Italian Periods of Maksym Berezovsky’s Life and Creativity in the Formation of Individual Musical Style

  Olga Shumilina

  93-101

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• Public Component of Lang Lang's Music-Performing Style

  Che Chao

  102-113

  • PDF (Українська)