No. 143 (2025)

Статті

• Ukrainian poetry as a factor in national style formation in popular music genres

  Violetta Artemenko

  9-22

  • PDF (Українська)

• INTERMEDIAL VECTOR IN THE CREATIVE SEARCH OF CONTEMPORARY TURKISH COMPOSERS

  Daryna Kupina

  23-39

  • PDF (Українська)

• PHENOMENA, NOUMENA, AND “TRIGGERS” OF MUSICAL STYLE FORMATION

  Olha Katrych

  40-49

  • PDF (Українська)

• TIMBRE ALLUSION AS A CONDITIONAL STYLIZATION ОF SONORITY

  Boryslav Stronko

  50-62

  • PDF (Українська)

• THE SPECIFICITY OF GUO WENJING’S MUSICAL STYLE (ON THE EXAMPLE OF THE OPERA «POET LI BAI»)

  Daria Hnatiuk

  62-77

  • PDF (Українська)

• POLYPHONY OF UKRAINIAN BAROQUE PARTES IN THE LIGHT OF THE MEDIEVAL THEORY OF MODALITY

  Olha Shumilina

  78-91

  • PDF (Українська)

• «FEAST OF TRUMPETS» BY YEVHEN STANKOVYCH: MONOTIMBRICAL ENSEMBLE AS A SPACE FOR CREATIVE EXPERIMENTATION

  Yurii Fyk, Olga Sapozhnik

  92-102

  • PDF (Українська)

• CONCERTOS FOR TROMBONE AND ORCHESTRA BY LEVKO KOLODUB: CONCEPTUAL PRINCIPLES OF INTERPRETATION

  Yurii Yarovyi

  103-113

  • PDF (Українська)

• «4′33″ ON NAUKA AVENUE» BY SVYATOSLAV KRUTYKOV: CONCEPTUAL ASPECT

  Anna Prykhodko

  114-128

  • PDF (Українська)

• CULTURAL SYMBOLS OF DONETSK REGION IN YEVHEN PETRYCHENKO’S CHORAL SYMPHONY-PERFORMANCE «ILLUMINATED BY THE BLACK SUN»

  Anastasiia Yermolenko

  129-143

  • PDF (Українська)

• CLAUDE DEBUSSY'S VOCAL MINIATURE «CLAIR DE LUNE»: FROM AUTHORIAL CONCEPT TO PERFORMATIVE INTERPRETATIONS

  Valentyna Redya, Angelina Rakhmatullaieva

  144-157

  • PDF (Українська)

• JOSEPH-NICOLAS-PANCRACE ROYER'S CREATIVE WORK IN THE CONTEXT OF FRENCH MUSICAL ART DEVELOPMENT IN THE FIRST HALF OF THE 18TH CENTURY

  Dmytro Shevchenko

  158-167

  • PDF (Українська)

• GUITAR QUINTET ОP. 143 BY MARIO CASTELNUOVO-TEDESCO THROUGH THE PRISM OF THE GENRE'S TRADITIONS

  Illia Halla

  168-181

  • PDF (Українська)

• DIGITAL TOOLS IN THE STUDY OF ORTHOEPIC ASPECTS OF SINGING

  Dmytro Kyrychek

  182-194

  • PDF (Українська)