No. 137 (2023)

DOI: https://doi.org/10.31318/2522-4190.2023.137

Published: 2023-10-30

Full Issue

title (Українська)

MODERN MUSIC THEORY: NEW ANALYTICAL METHODS AND APPROACHES

Middle-Out Music Analysis: Unreflected Methodological Problem

Bogdan Siuta

8-17
- PDF (Українська)
On the Approaches to the "Neorimanian Theory": David Lewin’s Transformational Approach

Nadiia Ustyuzhanina

18-29
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Sebastian Prixner (1771‒1855) as a Music Theory Teacher

Stephan Lewandowski

30-41
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THE CREATIVITY OF UKRAINIAN COMPOSERS: DISCOVERIES AND INTERPRETATION

Folk Song "Sorrow After Sorrow" In The Works Of Borys Liatoshynsky: Intonation And Semantic Analysis

Olena Honcharenko

42-56
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Piano Cycles “Children's Music” No. 1 and No. 2 in the Works by Valentyn Sylvestrov: Distinctive Features of Interpretation of the Concept of Childhood

Vitalii Vyshynskyi

57-67
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Electroacoustic creativity of Boryslav Stronko: philosophy and composing technique

Svitlana Postovoitova

68-82
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THE MUSICAL WORLD OF EUROPE AND AMERICA: AN ANALYTICAL PERSPECTIVE

Temporal dimensions of the passion narrative in «via crucis» by Franz List and Stefano Vagnini

Olga Zosim

83-94
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Features of the early tintinnabuli style in the works by Arvo Pärt: interaction а word and a number

Svitlana Gomeniuk, Nazarii Tarasenko

95-109
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Choral ballad by Peteris Vasks «Litene»: aspects of sound and pitch organization

Mariia Tytova

110-120
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Abel Carlevaro’s guitar works in the context of Uruguayan musical culture

Tetiana Filatova

121-135
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REVIEWS

Book Review: “Ritual Melodies of Ukrainians in the Context of Slavic-Baltic Early Traditional Melodic Areal” By Iryna Klymenko

Alexander Panchenko

136-138
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