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No. 137 (2023)
No. 137 (2023)
DOI:
https://doi.org/10.31318/2522-4190.2023.137
Published:
2023-10-30
Full Issue
title (Українська)
MODERN MUSIC THEORY: NEW ANALYTICAL METHODS AND APPROACHES
Middle-Out Music Analysis: Unreflected Methodological Problem
Bogdan Siuta
8-17
PDF (Українська)
On the Approaches to the "Neorimanian Theory": David Lewin’s Transformational Approach
Nadiia Ustyuzhanina
18-29
PDF (Українська)
Sebastian Prixner (1771‒1855) as a Music Theory Teacher
Stephan Lewandowski
30-41
PDF
THE CREATIVITY OF UKRAINIAN COMPOSERS: DISCOVERIES AND INTERPRETATION
Folk Song "Sorrow After Sorrow" In The Works Of Borys Liatoshynsky: Intonation And Semantic Analysis
Olena Honcharenko
42-56
PDF (Українська)
Piano Cycles “Children's Music” No. 1 and No. 2 in the Works by Valentyn Sylvestrov: Distinctive Features of Interpretation of the Concept of Childhood
Vitalii Vyshynskyi
57-67
PDF (Українська)
Electroacoustic creativity of Boryslav Stronko: philosophy and composing technique
Svitlana Postovoitova
68-82
PDF (Українська)
THE MUSICAL WORLD OF EUROPE AND AMERICA: AN ANALYTICAL PERSPECTIVE
Temporal dimensions of the passion narrative in «via crucis» by Franz List and Stefano Vagnini
Olga Zosim
83-94
PDF (Українська)
Features of the early tintinnabuli style in the works by Arvo Pärt: interaction а word and a number
Svitlana Gomeniuk, Nazarii Tarasenko
95-109
PDF (Українська)
Choral ballad by Peteris Vasks «Litene»: aspects of sound and pitch organization
Mariia Tytova
110-120
PDF (Українська)
Abel Carlevaro’s guitar works in the context of Uruguayan musical culture
Tetiana Filatova
121-135
PDF (Українська)
REVIEWS
Book Review: “Ritual Melodies of Ukrainians in the Context of Slavic-Baltic Early Traditional Melodic Areal” By Iryna Klymenko
Alexander Panchenko
136-138
PDF
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