No. 144 (2025)

Статті

• Song from the Bohohlasnyk «When the Soul is Separated from the Body»: Sources and Textual Aspects

  O. L Zosim

  9-24

  • PDF (Українська)

• The Song «Do Not Weep, Rachel» in the Stylistic Concept of the Sokyrynskyi (Halahanivskyi) Vertep

  Ruslan Kirsh

  25-38

  • PDF (Українська)

• «The Instinct of Workmanship» in the Structure of Composer Activity. The Case of Ravel

  Iryna Drach

  39-49

  • PDF (Українська)

• Semantics of Movement and Dance in the Works of Maurice Ravel

  Valeriya Zharkova

  50-64

  • PDF (Українська)

• French Baroque opera and reality TV: points of intersection

  Vira Artemieva

  65-75

  • PDF (Українська)

• Sarabande: «two-faced Janus» of the baroque repertoire

  Olena Zhukova

  76-85

  • PDF (Українська)

• Francis Poulenc avant la lettre: reception of creative work in the optics of metamodernism

  Ganna Rizaieva

  86-98

  • PDF (Українська)

• «Antigone» by Jean Cocteau and Arthur Honegger: innovative artistic concept and critical reception of the artwork

  Maryna Antonova

  99-114

  • PDF (Українська)

• Manifestations of composer's individuality in transcriptions

  Oleksandr Shchetynsky

  115-124

  • PDF (Українська)

• Witold Lutosławski’s «Venetian Games» for Orchestra: Specifics of Musical Dramaturgy in Aleatoric Composition

  Yurii Pikush

  125-137

  • PDF (Українська)

• Silhouettes of tango in the soundscape of Argentina: Astor Piazzolla's music for solo guitar

  Tetiana Filatova

  138-161

  • PDF (Українська)

• «Elegy» and «Hutsul circle» for domra by Oleksandr Nekrasov: genrestyle and performance features

  Anastasiia Halla

  162-176

  • PDF (Українська)

• The art of timpani performance: stages of development

  Kyryl Vaslavskyi

  177-194

  • PDF (Українська)