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No. 142 (2025)
No. 142 (2025)
DOI:
https://doi.org/10.31318/2522-4190.2025.142
Published:
2025-03-13
Full Issue
PDF (Українська)
Статті
Від упорядників
Пам’яті Марини Романівни Черкашиної-Губаренко (1938–2024)
Валентина Редя, Юрій Чекан
7-8
PDF (Українська)
Maryna Romanivna Cherkashіna-Gubarenko: universalism of creative personality
Artemieva Vira
9-18
PDF (Українська)
Maryna Cherkashіna as librettist: «musical theatre expressed in words»
Iryna Drach
19-34
PDF (Українська)
The vocabulary of the comіс in the operatic works of Vitaliy Hubarenko and Maryna Cherkashyna
Iryna Sikorska
35-48
PDF (Українська)
Wagner's «Der Fliegende Hollander»: a colourful tale of dreams and wanderings
Olena Roschenko
49-62
PDF (Українська)
Giacomo Puccini in Odessa Opera: history and modernity
Nataliia Ostroukhova
63-75
PDF (Українська)
Broadway musical in the space of artistic communication
Maiia Rzhevska
76-87
PDF (Українська)
The opera «Dialogues of the carmelites»: Lviv premiere in the light of modèle parisien by Francis Poulenc
Ganna Rizaieva
88-103
PDF (Українська)
Echoes of Musical Theater and the Image of the Prima Donna in Jean-Jacques Beineix's «Diva»
Serhii Zuiev
104-113
PDF (Українська)
Rhapsody as the leading genre modus of George Gershwin's concert music
Olena Antonova
114-129
PDF (Українська)
Concerto for guitar and orchestra by Heitor Villa-Lobos: genre and style projections
Tetiana Filatova
130-148
PDF (Українська)
Artistic intentions of Paul Valéry: new paradigm of uniting music and architecture
Maryna Antonova
149-162
PDF (Українська)
Electroacoustic music by Georg Friedrich Haas: notes on time-space organization
Oleksandr Chornyi
163-175
PDF (Українська)
Polish-Ukrainian relations in the field of early music
Yevgeniya Ignatenko
176-190
PDF (Українська)
Valeriy Sagaydachny: unknown pages of biography
Tetyana Omelchenko
191-202
PDF (Українська)
Italian conservatory in the context of modern musical life
Olena Ponomarenko
203-214
PDF (Українська)
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