“Ukrainian wave” in the context of music life in modern Switzerland

Authors

DOI:

https://doi.org/10.31318/2522-4190.2022.135.270997

Keywords:

festival industry in Switzerland, cultural policy, Lucerne Festival, CosmoKultur Cultural Association, classical music audience, Ukrainian avant-garde

Abstract

Relevance of the study. The struggle of the Ukrainian people for freedom and independence has caused a great international wave of sympathy and, at the same time, interest in Ukraine and its artistic heritage. Intensification of cultural communication with other countries actualizes the need to understand the mechanisms of cultural life in Europe, the USA, other countries of the West and East. The study of the audience of classical music concerts is important because the listener is the final consumer of the music product. Studying the mechanisms of organizing a large international festival on the example of Lucerne Festival is important and promising.

Main objectives of the study. To highlight the problem of perception of Ukrainian music by the Swiss public and to describe the ways to overcome it in the context of the mechanisms of organization of musical life in Switzerland.

Methodology. The research is based on general scientific empirical (observation, description) and theoretical (generalization, comparison) methods. Statistical and sociological methods are used to identify patterns in the change of preferences of the European public in recent years.

Results and conclusions. The research summarized the experience of foreign scientists in studying the problem of audience aging. Some theories such as the theory of generations and the cohort effect are highlighted. Approaches to attracting new generations to the audience of classical music concerts are generalized. Problem areas in the perception of Ukrainian art by the European audience are identified and ways to overcome the problem are proposed.

Prospects for further research. The actual lack of research on the third link of the triad "composer — performer — listener" and the relevance of the object promotes further research in this area. Particular importance is the focus on foreign listeners, the search for ways to "translate" the meanings underlying the Ukrainian artistic product.

References

Hordiienko, M. Yak zvuchyt ukrainska muzyka v Shveitsarii: pro vidkryttia festyvaliu «Im Spiegel» [How Ukrainian music sounds in Switzerland: about the opening of the festival "Im Spiegel"]. URL: https://theclaquers.com/posts/9068 (accessed: 14.10.2022) [in Ukrainian]

Picha, V. M. (2015). Politolohiia: suchasni terminy i poniattia. Korotkyi navchalnyi slovnyk-dovidnyk dlia studentiv VNZ I–IV rivniv akredytatsii [Political science: modern terms and perspectives. Short educational dictionary-reference for students of universities of I–IV accreditation levels] / eds.: L. D. Klymanska, Ya. B. Turchyn, N. M. Khoma. Lviv: Novyi Svit–2000, 516 p.. [in Ukrainian].

Cardwell, M. (1999). Dictionary of Psychology. Chicago: Fitzroy Dearborn Publishers, 249 p. [in English]

Dollase, R., Rüsenberg, M. & Stollenwerk, H. J. (1986). Demoskopie im Konzertsaal. Mainz: Schott. 247 p. [in German].

Hamann, T. K. Besuch von Konzerten klassischer Musik — eine Frage des Alters oder der Generation? URL: https://pada.psycharchives.org/bitstream/013faeac-8b58-4286-b83e788dfd7250ad (accessed: 16.10.2022) [in German].

Hamann, T. K. (2004). Stirbt das Klassikpublikum innerhalb der nächsten Jahrzehnte sukzessive aus? Präsentation im Rahmen der 20. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie: Musikalisches Lernen in der Schule und anderswo. Paderborn, 03–05. September 2004 [in German].

Lehembre M., Morf F., Walthert R. Klassische Musik und alterndes Publikum: Mythos oder Realität? URL: https://loeildupublic.com/de/klassische-musik-und-alterndes-publikummythos-oder-realitaet/ (accessed: 15.10.2022) [in German]

Walsh B. J. Classical Music is Dead, Long Live Classical Music. URL: https://www.academia.edu/13702736/Classical_Music_is_Dead_Long_Live_Classical_Music (accessed: 12.10.2022) [in English]

Wüst, L. “Licht & Schatten” Hélène Grimaud & Festival Strings Lucerne KKL Luzern, 25. Mai 2022, besucht von Léonard Wüst. URL: https://innerschweizonline.ch/wordpress/lichtschatten-helene-grimaud-festival-strings-lucerne-kkl-luzern-25-mai-2022-besucht-von-leonardwuest/ (accessed: 10.10.2022) ([in German].

Published

2022-12-26

How to Cite

Vardanyan, O. (2022) “‘Ukrainian wave’ in the context of music life in modern Switzerland”, Scientific herald of Tchaikovsky National Music Academy of Ukraine, (135), pp. 38–47. doi: 10.31318/2522-4190.2022.135.270997.

Issue

Section

Слухач у смисловому просторі музичного твору