No. 138 (2023)

DOI: https://doi.org/10.31318/2522-4190.2023.138

Published: 2023-12-27

Full Issue

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A piece of music in the modern media space

Philharmonic (concert) hall as a component of the infrastructure of musical life

Yurii Chekan

8-18
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The media text of a musical work and its medium texts

Olha Katrych

19-27
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New Ukrainian music in the modern media space («Far from the crowd» by Karmella Tsepkolenko)

Ivan Iergiiev

28-37
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Composer's video for his own work: time parallels, dotted lines, perpendiculars

Boryslav Stronko

38-49
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New communication strategies of modern classical artists

Olga Vardanyan

50-59
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«Modification of ghosts»: conductors interpretations of Yevhen Stankovych’s Sinfonietta in 2017 and 2023

Olena Dyachkova

60-75
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Composer’s and performer’s works: theoretical issues

Darius Milhaud’s vocal cycle «Machines agricoles»: outrage or confession?

Valeriya Zharkova

76-88
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«Bleuet» by the Guillaum Apolliner`S poem: the first war song by Francis Poulenc

Ganna Rizaieva

89-102
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Guitar duets by Jaime Zenamon: the sound-image resources of the instrument

Tetiana Filatova

103-115
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Byzantine music in the educational and scientific space of modern Ukraine

Yevgeniya Ignatenko

116-125
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Tenor timbre images in the Giacomo Puccini’s operas: the experience of systematisation

Yaroslav Komarnitskyi

126-136
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Keyboard fantasies by Georg Philip Telemann in the context of stylistic trends of the time

Dmytro Ratushynskyi

137-146
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Reconstruction of the first version Borys Liatoshynsky’s Third symphony: questions and answers (on the material of the third movement)

Hlib Fareniuk

147-160
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Double concertos for violin and cello with orchestra by Johannes Brahms and Vitalyi Kyreiko: genrе and style dimentions

Natalya Yaropud

161-174
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