No. 132 (2021)

DOI: https://doi.org/10.31318/2522-4190.2021.132

Published: 2021-11-29

COMPOSITION TECHNIQUE IN MODERN SCIENTIFIC DISCOURS

Compositional Technique as a Language Mechanism: from Rule to Sound

Oleksandr Zharkov

9-23
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Unfinished Work as Aesthetic and Musical Phenomenon: about Interrelation of Genre, form and Technique of Composition

Lyudmila Zapevalova

24-34
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Metaphysics of the History of Music in the Scientific Area: Challenges of the Time

Valeriya Zharkova

35-52
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Semiological Interpretation of the Electroacoustic Music Phenomenon

Marius Salynas

53-65
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Sonoric as a Compositional Technique the Attempt of Critical Analysis

Iryna Tukova

66-77
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Structural-Syntactic Organization of Thematic and Techniques of Composition: Aspects of Interaction

Ala Tikhomirova

78-92
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The concept of “Linguistic structure” as the basis of the Methodic for analyzing Vocal Composition

Inna Ivanova

93-105
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COMPOSITION TECHNIQUE IN INDIVIDUAL READINGS

Borrowed and Original Techniques in the Trio by Leonid Hrabovsky

Oleksandr Shchetynsky

106-120
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Compositional Technique as a Tool of Political Statement in the Works of Louis Andriessen

Vitalii Vyshynskyi

121-138
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The Symbolism of the Caravaca Cross in the Work “Crux Christi Salva Nos” by Szymon Godziemba-Trytek

Szymon Godziemba-Trytek

139-151
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Verbal-textual polyphonic technique in the Ukrainian choral music (on the example of music on Taras Shevchenko’s poetry)

Lesia Pivtoratska

152-165
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Chilean Guitar Music: Modern Reconstructions of Genre Traditions

Tetiana Filatova

166-181
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Features of Cadences in Vocal and Choral Music of the Seventeenth Century (on the Example of Giovanni Palestrina’s Motets)

Svitlana Gomeniuk

182-197
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Performance Composition of Johann Sebastian Bach’s Motets: Hypotheses and Discussions

Dmytro Savon

198-208
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REVIEWS

Unknown routes through familiar territories (Korchova O. O. Musical modernism as terra cognita. Kyiv: : Muzychna Ukraina, 2020. 490 p.)

Олена Григорівна Антонова

209-212
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Music and science in the light of scientific analogies (Tukova I. G. Music and science. The interaction of worlds in the minds of the eras (17th – early 21st centuries) Kharkiv: Acta, 2021. 456 p.)

Тетяна Володимирівна Філатова

213-215
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