No 126 (2019)

DOI: https://doi.org/10.31318/2522-4190.2019.126

Table of Contents

Methodological Principles Applied for Analyzing the Dynamics of Individual Musical Style PDF (Українська)
Galina Poberezhna 6-16
Issues Concerning The Transformation of Rhythm Archetype in Stanislav Liudkevych's Creative Work: Through the Early Style Evolvement PDF (Українська)
Iryna Zinkiv 17-28
Characteristic Features of Valentin Silvestrov’s Own Style in “Two Romances” on Oleksandr Blok's Poems PDF (Українська)
Anna Kalinina 29-39
Conductor's Component of Mikhail Pletnev's Style of Musical Creativity PDF (Українська)
Valeriia Kovtoniuk 40-48
Peculiarities of the Embodiment of Variational Principles in “Gnomic Variations” by George Crumb PDF (Українська)
Maksym Shadko 49-57
The Architectonics of the First Concerto for the Piano and Orchestra by Serhii Prokofiev PDF (Українська)
Natalya Vodolyeyeva 58-67
The Formation of Anna Korsun’s Individual Style in the Sound Space of Vocal Creativity PDF (Українська)
Nataliya Hnativ 68-79
Alexander Shchetinsky's Symphony for Mixed Choir a'cappella “Know Yourself”: From Neo-Baroque to Metastyle PDF (Українська)
Yuliia Volovchuk 80-92
The Role of Italian Periods of Maksym Berezovsky’s Life and Creativity in the Formation of Individual Musical Style PDF (Українська)
Olga Shumilina 93-101
Public Component of Lang Lang's Music-Performing Style PDF (Українська)
Che Chao 102-113