No. 125 (2019)

Статті

• The genre of piano concerto in the creativity of Carl Czerny

  Halyna Stakhevych

  6-15

  • PDF (Українська)

• Alfred Schnittke’s concert for piano and string orchestra the role of polystylistics in the formation of intoniation-character dramaturgy

  Bohdan Reshetilov

  16-29

  • PDF (Українська)

• Keyboard Traditions in French music art in first half of 20 Century: communicative aspect

  Olena Zhukova

  30-40

  • PDF (Українська)

• Wandering Chapel Choirs of the Dniprosoyuz: Importance for the Present from the Perspective of Historical Retrospect

  Olha Zasadna

  41-51

  • PDF (Українська)

• Cultural And national identity of the conductor: implication of concepts

  Roman Dzundza

  52-64

  • PDF (Українська)

• Choral works by Alexander Jacobchuk: genre and style parameters

  Olga Kushniruk

  65-76

  • PDF (Українська)

• Artistic Image of Hetman Ivan Masepa through the prism of synthesis of arts of the Ukrainian diaspora

  Hanna Karas

  77-88

  • PDF (Українська)

• Conceptualization of the Notion “Musical Project of Academic Art”

  Liudmyla Obukh

  89-103

  • PDF (Українська)