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  1. Home /
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  3. No. 125 (2019)

No. 125 (2019)

					View No. 125 (2019)
DOI: https://doi.org/10.31318/2522-4190.2019.125
Published: 2019-12-26

Статті

  • The genre of piano concerto in the creativity of Carl Czerny

    Halyna Stakhevych
    6-15
    • PDF (Українська)
  • Alfred Schnittke’s concert for piano and string orchestra the role of polystylistics in the formation of intoniation-character dramaturgy

    Bohdan Reshetilov
    16-29
    • PDF (Українська)
  • Keyboard Traditions in French music art in first half of 20 Century: communicative aspect

    Olena Zhukova
    30-40
    • PDF (Українська)
  • Wandering Chapel Choirs of the Dniprosoyuz: Importance for the Present from the Perspective of Historical Retrospect

    Olha Zasadna
    41-51
    • PDF (Українська)
  • Cultural And national identity of the conductor: implication of concepts

    Roman Dzundza
    52-64
    • PDF (Українська)
  • Choral works by Alexander Jacobchuk: genre and style parameters

    Olga Kushniruk
    65-76
    • PDF (Українська)
  • Artistic Image of Hetman Ivan Masepa through the prism of synthesis of arts of the Ukrainian diaspora

    Hanna Karas
    77-88
    • PDF (Українська)
  • Conceptualization of the Notion “Musical Project of Academic Art”

    Liudmyla Obukh
    89-103
    • PDF (Українська)
English Українська

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Keywords
ISSN 2522-4190 (print)
ISSN 2522-4204 (online)
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