Issue | Title | |
No 128 (2020) | Allonymy as the Paradox Phenomenon of Authorship in the Musical-historical Process | Abstract |
Kateryna Babenko | ||
No 129 (2020) | «Farewell, my Dichterliebe…»: Schumann, Kurtág, and the Intertext, in Achingly-Tender Tones | Abstract PDF |
Dina Lentsner | ||
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