| Issue | Title | |
| No 122 (2018) | The concert for viola and orchestra by Hennady Liashenko as a reflection of his world outlook | Abstract PDF (Українська) |
| Anastasiіa Komlikova | ||
| No 129 (2020) | The dual Nature of the Functioning of the Timbre in Orchestral Works: an Interpretive Aspect | Abstract PDF (Українська) |
| Oleksandr Zharkov | ||
| No 127 (2020) | The Evolution of Shanghai's Choral Culture in Terms of Interaction with the Traditions of European Musical Art | Abstract PDF (Українська) |
| Junjie Gui | ||
| No 126 (2019) | The Formation of Anna Korsun’s Individual Style in the Sound Space of Vocal Creativity | Abstract PDF (Українська) |
| Nataliya Hnativ | ||
| No 125 (2019) | The genre of piano concerto in the creativity of Carl Czerny | Abstract PDF (Українська) |
| Halyna Stakhevych | ||
| No 124 (2019) | The genre of the motet in the Jean-Philippe Rameau's creativity | Abstract PDF (Українська) |
| Vira Artemieva | ||
| No 121 (2018) | The image of Artem Vedel in cultural and arts introspection of Ukrainian diaspora | Abstract PDF (Українська) |
| Ganna Karas | ||
| No 122 (2018) | The interaction of compositional and performing means of expressiveness in the Second Sonata-Ballade by Boris Lyatoshinsky | Abstract PDF (Українська) |
| Oleg Bezborodko | ||
| No 129 (2020) | The Interdisciplinary methodological Trends in the Ukrainian Musical Regionalism | Abstract PDF (Українська) |
| Tetyana Martyniuk | ||
| No 128 (2020) | The Murder of Dmitry Revutsky: to Investigate, or to Ignore? | Abstract PDF (Українська) |
| Iryna Sheremeta | ||
| No 129 (2020) | The notion of Derivation in Theoretical Concepts Concerning the Formation of Musical Text | Abstract PDF (Українська) |
| Oleksandr Korchev | ||
| No 128 (2020) | The Orchestra of Schumann and its Modifications in the Cello Concerto op. 129 | Abstract PDF (Українська) |
| Vadym Rakochi | ||
| No 129 (2020) | The Phenomenon of Musical Modernism in the European Culture of the 20th Century: Prerequisites, Patterns, Stages | Abstract PDF (Українська) |
| Olena Korchova | ||
| No 122 (2018) | The phenomenon of "spatial music" in the instrumental works of Edgard Varèse | Abstract PDF (Українська) |
| Dmytro Shchyrytsia | ||
| No 121 (2018) | The phenomenon of the diaspora in the aspect of cultural memory (with the example of Virko Baley’s creation) | Abstract PDF (Українська) |
| Oksana Garmel | ||
| No 123 (2018) | The phenomenon of “the death of the Author” in European postmodernspace as a sign of transitionalcultural processes at the end of the 20th century | Abstract PDF (Українська) |
| Natalya Liva | ||
| No 126 (2019) | The Role of Italian Periods of Maksym Berezovsky’s Life and Creativity in the Formation of Individual Musical Style | Abstract PDF (Українська) |
| Olga Shumilina | ||
| No 127 (2020) | The Second Violin Consert Of Bela Bartok In The Context Of Genre Development | Abstract PDF (Українська) |
| Nataliia Dzizinska | ||
| No 128 (2020) | The Sounding of Fancy Gestures: Visual in Music for the Performance “Camille” by Alexei Retinsky | Abstract PDF (Українська) |
| Svitlana Gomeniuk | ||
| No 122 (2018) | The specificity of the double simple imitation and its role in the dramaturgy of the Renaissance epoch musical works | Abstract PDF (Русский) |
| Zoran Bozanic | ||
| No 122 (2018) | The Theory of Heinrich Christoph Koch and its role in the context of the analysis of musical works | Abstract PDF (Русский) |
| Jasna Veljanovic | ||
| No 127 (2020) | The Viola Music of Yevhen Stankovych as a Phenomenon of Composer`s Creation | Abstract PDF (Українська) |
| Andrii Tuchapets | ||
| No 122 (2018) | Three More drops in the sea of searches of musical sense | Abstract PDF (Українська) |
| Mykola Kovalinas | ||
| No 121 (2018) | Tour routes of the Poltava symphony orchestra under D. V. Akhsharumov: from press reviews | Abstract PDF (Українська) |
| Inna Dovzhynets | ||
| No 121 (2018) | Ukraine and Europe in research papers of Myroslaw Antonowych | Abstract PDF (Українська) |
| Ulyana Hrab | ||
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