Browse Title Index


 
Issue Title
 
No 122 (2018) The concert for viola and orchestra by Hennady Liashenko as a reflection of his world outlook Abstract   PDF (Українська)
Anastasiіa Komlikova
 
No 129 (2020) The dual Nature of the Functioning of the Timbre in Orchestral Works: an Interpretive Aspect Abstract   PDF (Українська)
Oleksandr Zharkov
 
No 127 (2020) The Evolution of Shanghai's Choral Culture in Terms of Interaction with the Traditions of European Musical Art Abstract   PDF (Українська)
Junjie Gui
 
No 126 (2019) The Formation of Anna Korsun’s Individual Style in the Sound Space of Vocal Creativity Abstract   PDF (Українська)
Nataliya Hnativ
 
No 125 (2019) The genre of piano concerto in the creativity of Carl Czerny Abstract   PDF (Українська)
Halyna Stakhevych
 
No 124 (2019) The genre of the motet in the Jean-Philippe Rameau's creativity Abstract   PDF (Українська)
Vira Artemieva
 
No 121 (2018) The image of Artem Vedel in cultural and arts introspection of Ukrainian diaspora Abstract   PDF (Українська)
Ganna Karas
 
No 122 (2018) The interaction of compositional and performing means of expressiveness in the Second Sonata-Ballade by Boris Lyatoshinsky Abstract   PDF (Українська)
Oleg Bezborodko
 
No 129 (2020) The Interdisciplinary methodological Trends in the Ukrainian Musical Regionalism Abstract   PDF (Українська)
Tetyana Martyniuk
 
No 128 (2020) The Murder of Dmitry Revutsky: to Investigate, or to Ignore? Abstract   PDF (Українська)
Iryna Sheremeta
 
No 129 (2020) The notion of Derivation in Theoretical Concepts Concerning the Formation of Musical Text Abstract   PDF (Українська)
Oleksandr Korchev
 
No 128 (2020) The Orchestra of Schumann and its Modifications in the Cello Concerto op. 129 Abstract   PDF (Українська)
Vadym Rakochi
 
No 129 (2020) The Phenomenon of Musical Modernism in the European Culture of the 20th Century: Prerequisites, Patterns, Stages Abstract   PDF (Українська)
Olena Korchova
 
No 122 (2018) The phenomenon of "spatial music" in the instrumental works of Edgard Varèse Abstract   PDF (Українська)
Dmytro Shchyrytsia
 
No 121 (2018) The phenomenon of the diaspora in the aspect of cultural memory (with the example of Virko Baley’s creation) Abstract   PDF (Українська)
Oksana Garmel
 
No 123 (2018) The phenomenon of “the death of the Author” in European postmodernspace as a sign of transitionalcultural processes at the end of the 20th century Abstract   PDF (Українська)
Natalya Liva
 
No 126 (2019) The Role of Italian Periods of Maksym Berezovsky’s Life and Creativity in the Formation of Individual Musical Style Abstract   PDF (Українська)
Olga Shumilina
 
No 127 (2020) The Second Violin Consert Of Bela Bartok In The Context Of Genre Development Abstract   PDF (Українська)
Nataliia Dzizinska
 
No 128 (2020) The Sounding of Fancy Gestures: Visual in Music for the Performance “Camille” by Alexei Retinsky Abstract   PDF (Українська)
Svitlana Gomeniuk
 
No 122 (2018) The specificity of the double simple imitation and its role in the dramaturgy of the Renaissance epoch musical works Abstract   PDF (Русский)
Zoran Bozanic
 
No 122 (2018) The Theory of Heinrich Christoph Koch and its role in the context of the analysis of musical works Abstract   PDF (Русский)
Jasna Veljanovic
 
No 127 (2020) The Viola Music of Yevhen Stankovych as a Phenomenon of Composer`s Creation Abstract   PDF (Українська)
Andrii Tuchapets
 
No 122 (2018) Three More drops in the sea of searches of musical sense Abstract   PDF (Українська)
Mykola Kovalinas
 
No 121 (2018) Tour routes of the Poltava symphony orchestra under D. V. Akhsharumov: from press reviews Abstract   PDF (Українська)
Inna Dovzhynets
 
No 121 (2018) Ukraine and Europe in research papers of Myroslaw Antonowych Abstract   PDF (Українська)
Ulyana Hrab
 
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