Browse Title Index

Issue Title
No 123 (2018) The classical and non-classical in performance interpretations of Etudes op. 25 by Fryderyk Chopin Abstract   PDF (Українська)
Oleksii Volik
No 122 (2018) The concert for viola and orchestra by Hennady Liashenko as a reflection of his world outlook Abstract   PDF (Українська)
Anastasiіa Komlikova
No 126 (2019) The Formation of Anna Korsun’s Individual Style in the Sound Space of Vocal Creativity Abstract   PDF (Українська)
Nataliya Hnativ
No 125 (2019) The genre of piano concerto in the creativity of Carl Czerny Abstract   PDF (Українська)
Halyna Stakhevych
No 124 (2019) The genre of the motet in the Jean-Philippe Rameau's creativity Abstract   PDF (Українська)
Vira Artemieva
No 121 (2018) The image of Artem Vedel in cultural and arts introspection of Ukrainian diaspora Abstract   PDF (Українська)
Ganna Karas
No 122 (2018) The interaction of compositional and performing means of expressiveness in the Second Sonata-Ballade by Boris Lyatoshinsky Abstract   PDF (Українська)
Oleg Bezborodko
No 122 (2018) The phenomenon of "spatial music" in the instrumental works of Edgard Varèse Abstract   PDF (Українська)
Dmytro Shchyrytsia
No 121 (2018) The phenomenon of the diaspora in the aspect of cultural memory (with the example of Virko Baley’s creation) Abstract   PDF (Українська)
Oksana Garmel
No 123 (2018) The phenomenon of “the death of the Author” in European postmodernspace as a sign of transitionalcultural processes at the end of the 20th century Abstract   PDF (Українська)
Natalya Liva
No 126 (2019) The Role of Italian Periods of Maksym Berezovsky’s Life and Creativity in the Formation of Individual Musical Style Abstract   PDF (Українська)
Olga Shumilina
No 122 (2018) The specificity of the double simple imitation and its role in the dramaturgy of the Renaissance epoch musical works Abstract   PDF (Русский)
Zoran Bozanic
No 122 (2018) The Theory of Heinrich Christoph Koch and its role in the context of the analysis of musical works Abstract   PDF (Русский)
Jasna Veljanovic
No 122 (2018) Three More drops in the sea of searches of musical sense Abstract   PDF (Українська)
Mykola Kovalinas
No 121 (2018) Tour routes of the Poltava symphony orchestra under D. V. Akhsharumov: from press reviews Abstract   PDF (Українська)
Inna Dovzhynets
No 121 (2018) Ukraine and Europe in research papers of Myroslaw Antonowych Abstract   PDF (Українська)
Ulyana Hrab
No 124 (2019) Vitaly Gubarenko and Stefan Turchak: Stellar times of the creative community of the composer and interpreter-conductor Abstract   PDF (Українська)
Maryna Cherkashina-Gubarenko
No 125 (2019) Wandering Chapel Choirs of the Dniprosoyuz: Importance for the Present from the Perspective of Historical Retrospect Abstract   PDF (Українська)
Olha Zasadna
No 124 (2019) Zoltan Kodály and Stanislav Lyudkevych Abstract   PDF
Yurii Chekan
No 124 (2019) «Everyone writes Music to Poems, and I write Poems to Music...» (features to the problem of intermediality in the cycle «Night concerts» by Mykola Bazhan) Abstract   PDF (Українська)
Valentyna Redia
No 121 (2018) “Ethno-chaos” of “Dakha Brakha” band as an example of the principle of “pile” in music Abstract   PDF (Українська)
Iia Fedorova
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