Browse Title Index


 
Issue Title
 
No 123 (2018) About individual style bases of musical authorship Abstract   PDF (Українська)
Victor Mockalenko
 
No 123 (2018) About some features of authorship in a music video project Abstract   PDF (Українська)
Elena Shemiakina
 
No 123 (2018) About the uniqueness of the timbre-textured organization in the trio of Béla Bartók “Contrasts” Abstract   PDF (Українська)
Viktor Duldier
 
No 126 (2019) Alexander Shchetinsky's Symphony for Mixed Choir a'cappella “Know Yourself”: From Neo-Baroque to Metastyle Abstract   PDF (Українська)
Yuliia Volovchuk
 
No 125 (2019) Alfred Schnittke’s concert for piano and string orchestra the role of polystylistics in the formation of intoniation-character dramaturgy Abstract   PDF (Українська)
Bohdan Reshetilov
 
No 128 (2020) Allonymy as the Paradox Phenomenon of Authorship in the Musical-historical Process Abstract   PDF (Українська)
Kateryna Babenko
 
No 122 (2018) An «author’s signs» from style in instrumental music by Hennady Liashenko Abstract   PDF (Українська)
Maryna Denysenko-Sapmaz
 
No 121 (2018) Andrey Shtogarenko’s third symphony (“Kyivan”): analysis experience in the light of musical epic Abstract   PDF (Українська)
Oksana Sergіeva
 
No 123 (2018) Anti-recipe as a component of composer’s creativity Abstract   PDF (Українська)
Boryslav Stronko
 
No 123 (2018) Architectonic integrity of the polyphonic composition in the aspect of discourse-analysis Abstract   PDF (Українська)
Nataliya Belichenko
 
No 124 (2019) Art rock concert practice and its projection into the XXIst century Abstract   PDF (Українська)
Volodymyr Romanko
 
No 125 (2019) Artistic Image of Hetman Ivan Masepa through the prism of synthesis of arts of the Ukrainian diaspora Abstract   PDF (Українська)
Hanna Karas
 
No 127 (2020) Belarusian Music in the Solfeggio University Course: Style Aspect Abstract   PDF (Українська)
Lyudmyla Zapevalova, Ala Tikhomirova
 
No 126 (2019) Characteristic Features of Valentin Silvestrov’s Own Style in “Two Romances” on Oleksandr Blok's Poems Abstract   PDF (Українська)
Anna Kalinina
 
No 129 (2020) Charles-Simon Catel’s “Traité D’harmonie” as an Origin of Conservatory Harmony Teaching Traditions Abstract   PDF (Українська)
Oleksiy Vоуtenko
 
No 129 (2020) Chilean Guitar Music: Violeta Parra’s “Anticuecas” Abstract   PDF (Українська)
Tetiana Filatova
 
No 128 (2020) Chilean Guitarron as an Instrument of Folk and Religious Usage Abstract   PDF (Українська)
Tymur Ivannikov, Tetyana Filatova
 
No 125 (2019) Choral works by Alexander Jacobchuk: genre and style parameters Abstract   PDF (Українська)
Olga Kushniruk
 
No 129 (2020) Concept of the “Open Form” by Nadezhda Goryukhina in the Paradigm of Modern Musicology Abstract   PDF (Українська)
Lyudmila Zapevalova
 
No 125 (2019) Conceptualization of the Notion “Musical Project of Academic Art” Abstract   PDF (Українська)
Liudmyla Obukh
 
No 126 (2019) Conductor's Component of Mikhail Pletnev's Style of Musical Creativity Abstract   PDF (Українська)
Valeriia Kovtoniuk
 
No 124 (2019) Connections between Paweł Szymański's works and Ukrainian history and culture Abstract   PDF
Violetta Kostka
 
No 125 (2019) Cultural And national identity of the conductor: implication of concepts Abstract   PDF (Українська)
Roman Dzundza
 
No 124 (2019) Dialogue of epochs in music thinking of Arvo Pärt: “Credo” Abstract   PDF (Українська)
Natalia Liva
 
No 124 (2019) Directions in Romanian Music of Banat Region in National and European Context Abstract   PDF
Veronica Demenescu
 
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