No. 123 (2018)

Статті

• About individual style bases of musical authorship

  Victor Mockalenko

  7-16

  • PDF (Українська)

• Psychological mechanisms of perception of author’s text of a piece of music by performers-interpreters

  Dmytro Yunyk

  17-29

  • PDF (Українська)

• Architectonic integrity of the polyphonic composition in the aspect of discourse-analysis

  Nataliya Belichenko

  30-38

  • PDF (Українська)

• The classical and non-classical in performance interpretations of Etudes op. 25 by Fryderyk Chopin

  Oleksii Volik

  39-48

  • PDF (Українська)

• Symphony for mixed chorus “Holy Week” by Sviatoslav Lunev: author’s interpretation of spiritual and musical traditions

  Yuliia Volovchuk

  49-57

  • PDF (Українська)

• National musical traditions in the piano oeuvre of Joaquin Turina

  Tayaja Dyniak

  58-67

  • PDF (Українська)

• About the uniqueness of the timbre-textured organization in the trio of Béla Bartók “Contrasts”

  Viktor Duldier

  68-78

  • PDF (Українська)

• The phenomenon of “the death of the Author” in European postmodernspace as a sign of transitionalcultural processes at the end of the 20th century

  Natalya Liva

  79-88

  • PDF (Українська)

• Potpourri as a special type of musical composition

  Kateryna Pidporinova

  89-101

  • PDF (Українська)

• Anti-recipe as a component of composer’s creativity

  Boryslav Stronko

  102-113

  • PDF (Українська)

• Peculiarities of the authorship manifestation in the world music

  Iia Fedorova

  114-125

  • PDF (Українська)

• About some features of authorship in a music video project

  Elena Shemiakina

  126-135

  • PDF (Українська)