No 123 (2018)

DOI: https://doi.org/10.31318/2522-4190.2018.123

Table of Contents

About individual style bases of musical authorship PDF (Українська)
Victor Mockalenko 7-16
Psychological mechanisms of perception of author’s text of a piece of music by performers-interpreters PDF (Українська)
Dmytro Yunyk 17-29
Architectonic integrity of the polyphonic composition in the aspect of discourse-analysis PDF (Українська)
Nataliya Belichenko 30-38
The classical and non-classical in performance interpretations of Etudes op. 25 by Fryderyk Chopin PDF (Українська)
Oleksii Volik 39-48
Symphony for mixed chorus “Holy Week” by Sviatoslav Lunev: author’s interpretation of spiritual and musical traditions PDF (Українська)
Yuliia Volovchuk 49-57
National musical traditions in the piano oeuvre of Joaquin Turina PDF (Українська)
Tayaja Dyniak 58-67
About the uniqueness of the timbre-textured organization in the trio of Béla Bartók “Contrasts” PDF (Українська)
Viktor Duldier 68-78
The phenomenon of “the death of the Author” in European postmodernspace as a sign of transitionalcultural processes at the end of the 20th century PDF (Українська)
Natalya Liva 79-88
Potpourri as a special type of musical composition PDF (Українська)
Kateryna Pidporinova 89-101
Anti-recipe as a component of composer’s creativity PDF (Українська)
Boryslav Stronko 102-113
Peculiarities of the authorship manifestation in the world music PDF (Українська)
Iia Fedorova 114-125
About some features of authorship in a music video project PDF (Українська)
Elena Shemiakina 126-135