No 122 (2018)

DOI: https://doi.org/10.31318/2522-4190.2018.122

Table of Contents

Art studies

Hennady Liashenko: the perspectives of life and creative work PDF (Українська)
Mayya Rzhevska 9-21
An «author’s signs» from style in instrumental music by Hennady Liashenko PDF (Українська)
Maryna Denysenko-Sapmaz 22-32
The concert for viola and orchestra by Hennady Liashenko as a reflection of his world outlook PDF (Українська)
Anastasiіa Komlikova 33-41
Intonational unity as an integration factor of idea (on the example of Hennady Liashenko's Second Concerto for Cello and Orchestra) PDF (Українська)
Anastasiia Tormakhova 42-52
Mysteries, vitrages and landscapes of Hennady Liashenko's choral creation PDF (Українська)
Olesia Halas 53-62
European musical traditions in the pieces for viola by Hennady Liashenko PDF (Українська)
Natalya Kyrdza 63-70
Hennady Liashenko’s «Technems» for winds incontemporary context of Ukrainian instrumental music PDF (Українська)
Yaryna Denysenko 71-78
Specificity of Performance Interpretation of Hennady Liashenko`s Quartet №1 PDF (Українська)
Nataliia Feshchak 79-87
The specificity of the double simple imitation and its role in the dramaturgy of the Renaissance epoch musical works PDF (Русский)
Zoran Bozanic 88-97
The Theory of Heinrich Christoph Koch and its role in the context of the analysis of musical works PDF (Русский)
Jasna Veljanovic 98-109
The interaction of compositional and performing means of expressiveness in the Second Sonata-Ballade by Boris Lyatoshinsky PDF (Українська)
Oleg Bezborodko 110-124
The phenomenon of "spatial music" in the instrumental works of Edgard Varèse PDF (Українська)
Dmytro Shchyrytsia 125-135
Three More drops in the sea of searches of musical sense PDF (Українська)
Mykola Kovalinas 136-149